Fullframe fisheyes take in a full 180 degrees of the scene when measured diagonally across the frame. ISO 100įull Frame Fisheyes | There are two basic types of fisheye lens, categorized by focal length. SLR wide angles must have retrofocus optics, which is a significant reason for the expense.ġ6mm fisheye, full frame camera. Extreme wide angles tend to be very costly and often suffer from very soft or even blurry image corners. Since they take in so much of a scene, photos can appear cluttered or busy or lack a main point of interest. Although they can yield striking photographs, wide-angle lenses can also be difficult to use well.
#Fisheye vs wide angle movie#
People sometimes refer to 14mm cinematic lenses as “Gilliams” for this reason, though note that the image area of 35mm movie film is actually about the size of an APS-C subframe DSLR, and not the size of a full-frame 35mm still camera. These visual qualities are exploited by filmmakers such as Terry Gilliam, who is well known for his use of wide-angle rectilinear lenses (not fisheyes). As described later in section 5.9, portraiture with these lenses can take on a strange bulging and grotesque appearance.
![fisheye vs wide angle fisheye vs wide angle](https://live.staticflickr.com/3101/2645748146_980d89ab22_b.jpg)
![fisheye vs wide angle fisheye vs wide angle](https://i.pinimg.com/originals/eb/b4/02/ebb4028999d37c42e914640f77e02cde.jpg)
Since much of a scene can be within the depth of field, objects across the whole scene can appear very sharp.
![fisheye vs wide angle fisheye vs wide angle](http://backup.cambridgeincolour.com/farm8.staticflickr.com/7115/7605598472_9bd87f1179_z.jpg)
A shot taken with an extremely wide-angle lens can also have something of an immersive quality. Ordering, Shipping & Returns InformationĮxtreme wide angles-wider than 24mm or so for full-frame-can take in more than can be seen by a single glance of the human eye.